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About Me Architecture Building Sustainably Environmental

What is Sustainable?

To me?

I am talking about the ways in which to live in and build with this world!

When talking about architecture, that means talking in terms of the materials it takes to construct a place. In the April 08 issue of Architectural Record I find great resources to cumulate together for my use as an architect and thought I would share:

The author, B.J. Novitski discusses the Life-Cycle Assessment – a methodology that quantifies the environmental impact of a material by examining how it is grown, harvested, transported, maintained, and eventually disposed of, computing costs in energy and water use, air degradation, and other factors…architect William McDonough and chemist Michael Braungart offer their Cradle to Cradle (C2C) material assessment, product development, and certification to manufacturers.

McDonough and Braungart argue that when a product is made of appropriate materials and is designed so that its constituent parts can be recovered at the end of its useful life, any waste is “food.” The waste becomes raw material for the manufacture of more products…

…some rapidly renewable materials more green than others. The circumstances of production may cast a shadow on the sustainability of an agricultural product: Are fossil fuels, irrigation, or harmful chemicals used in its cultivation or manufacturing? Is the crop diverting acreage from food production? Are natural forests being destroyed to produce raw materials for construction? Does transportation consume inordinate amounts of fossil fuel?

Brendan Owens, USGBC vice president of technical development…points out that the term “renewable” should be considered in context. “If you’re using wood for structural framing in a house that will exist for 100 years, ‘rapidly renewable’ might be 50 years, because the resource regenerates in less time than one cycle of its use.”

So, lets talk about materials!

  Cork is the bark of cork oaks grown in the Mediterranean region. Unlike nearly every other tree species, it is not harmed by removal of its bark. A mature tree is stripped about once every 10 years and lives for an average of 16 strippings. The cork oak forests thrive without chemical herbicides, fertilizers, or irrigation and provide habitat for wildlife such as the threatened Bonelli’s Eagle and Iberian lynx. After stripping, the large slabs of bark are boiled, and bottle stoppers are punched from them. The leftover material is then ground up, pressed into sheets, and cut into tiles for flooring.

  Cotton is now being used for building insulation.  Bonded Logic in Arizona produces r-30 batts from post-industrial recycled denim, the scraps from manufacturing blue jeans, diverting about 200 tons of material per month from landfills!

  Natural linoleum, such as Forbo, is formed from a variety of rapidly renewable materials, including linseed oil, wood flour, and pine rosin. During production, the ingredients are heated, mixed, and rolled flat. The sheets are cooled, backed with jute, then dried and trimmed. Pigments that do not contain heavy metals are used to achieve a wide variety of colors and unusual flooring installations.

  Agriboard Industries  in Kansas, produces a composite structural panel from highly compressed wheat and rice straw sandwiched between oriented strand board…The panels provide both structure and insulation in wood floors, walls, and roofs…The manufacturing process combines heat and pressure, drawing lignin from the cell walls of the straw, and creating a natural binder that obviates the need for urea-formaldehyde or other additives. 

Environ Biocomposites makes a particle board combining wheat straw and sunflower hulls with urethane-based resin instead of the urea-formaldehyde binders.

   In only five to six years, bamboo grows to a height of 40 feet and a diameter of 6 inches, and can be harvested without killing the root system, which then regenerates it. The hollow stalks are cut into strips which are dried, planed, and glued together to form durable flooring, plywood, and veneers. Some bamboo importers, such as EcoTimber and Smith & Fong, now offer products without urea-formaldehyde and are encouraging Chinese foresters to move away from use of pesticides, herbicides, and chemical fertilizers.

Bamboo is a case in point. This fast-growing grass is hard enough to be used as a replacement for wood in applications such as flooring and furniture. However, most bamboo is grown and processed in China, and there are concerns about forestry practices, the toxicity of binders, and worker safety. A few bamboo plantations have earned certification from the Forest Stewardship Council (FSC), which accredits forests managed “to meet the social, economic, ecological, cultural, and spiritual needs of present and future generations.” However, certified bamboo products are still not widely available in the U.S. And even though bamboo plantations sequester as much carbon as native forests, they do not support the same wildlife. What is more, while ocean shipping consumes less fuel per mile than overland trucking, the fuel used in shipping is more polluting. Clearly, the environmental balance is more difficult to calculate than by simply examining the length of a harvest cycle.

(all above descriptions of products taken from Architectural Record’s B.J. Novitski’s April 08 issue)

Categories
About Me Architecture

Beyond My Fascination with Legos

A good friend of mine works in Chicago at Studio Gang. Azure Magazine just ran an article on an interior project she worked on.  This is the start of the article..  Studio Gang’s Ballroom Blitz

More on Venturi’s Complexity and Contradiction in Architecture thoughts continued from my post a day ago, 1.5.10, Why An Architect…

Venturi’s manifesto makes the case that there are multitudes of reason and problems to figure out in architecture.  ‘Each contains within the whole contrasting scales of movement besides the complex functions.’ He states as certain ‘problems’. The complex form and building, scale and perception could be poor in relation to one scenario, but work significantly well as the whole.  So, here is his case of complexity and contradictions and examples throughout history for the case of working (great) architecture.

I believe Venturi’s reference to ‘modern’ architect means the architect now and I begin to daydream while reading of my own contradictions, tensions and fascinations…

I remember learing about Native American societies in the 3rd grade. Beyond my captivation with Legos, I had never been confronted with such great mazes, built across plains and in mountain sides. I always recalled the Mayan culture in Merida, but in researching my few leads I think I must have seen images from Mesa Verde.  Mesa Verde National Park – The First Pueblos 

 

Mazes and labyrinths represent a magic journey, an experience, something I enjoy tangling myself in. Looking at them from above they could be a house plan – a plan in which the space will direct the inhabitant. Like a house plan the maze leads people through in sequence to establish a rhythm, one that is parallel to their living.  Some labyrinths are used for meditation, as they were historically sought to.

   

 A part of architecture is establishing a set of rules which are derived from the intentions of the project. Venturi points out Le Corbusier’s Villa Savoye, and the structural rule of columns.  The grid is broken by elements necessary to conduct living in the Villa.

Alvar Aalto finds order from necessary elements in his work.  Look at the repetition of his Riola Parish Church. 

 

Venturi presents rules of structure citing Kahn’s proposal for a Philadelphia Office Tower

and Gaudi’s Sagrada Familia.

          

 

I am inspired with these thoughts of rules, and breaking the rules to construct living in structures. 

What about mixing Kahn’s wind braced tower with diagonal circulation, similar to Corbusier’s ramp circulation in the Villa Savoye?

Categories
About Me Architecture

Simplify your Lifestyle

Clean it out~

If you’ve lived in the same house for the past three years or longer it is likely that you have begun to fit newly acquired things in crevices, corners and newly found empty spaces.  I’ve moved about every two years for the last twelve, which has given me the chance to evaluate what I do and don’t use, and what I could get rid of for someone else to get better use of.  If I’m not moving I have to make a conscious effort to purge.

The best advice for dealing with too many things (like too many books on my bookshelf) is to imagine what it  means to be you now. Does my bookshelf define who I am and what I am interested in now? In the case of my closet, have I worn these clothes in the last eight months?  Why so or why not?  Do I use all of these blankets, dishes, these perfumes, read these magazines… I can get a little carried away with all of my things.

When I pare down what I own to what it takes to keep care of myself, to essentially what defines me and my interests, I find I have much less to worry about!

I learned this concept while traveling in Europe my junior year of college.  With only a back sack full of daily needs such as a camera, sketchbook and journal, I was able to spend three months with this bag and a small portable suitcase.  It took me a few months to determine exactly how much shampoo would get me through two weeks (there are stores in Europe!), how much detergent I would need if I were only bringing a weeks worth of socks, etc.  Again, perhaps a little overboard, but what I learned after three months of living like this, with so few things, was that I felt so free not having to be concerned with what I could not pick up and move with me.  It taught me how many things I pamper myself with during my typical daily routine and what I could do without at home.

I talked about the digestive system yesterday, which was spawned by reading an organizational book (to learn more about organizing my home) from author Karen Kingston. It was ‘Clear Your Clutter with Feng Shui.’

 It was the first time I heard about Bagua, arranging a grid overtop of your house floor plan that tells you what each space in your home is related to.  I call it the Zen Grid. 

By desiring each entity in my life to be better I have in essence cleaned up most of my spaces to reflect how I utilize them the most – giving me a clearer vision of what I do and what I most enjoy.

Also, an article was featured in the NY Times yesterday about sharing experiences instead of stuff.  ‘In Recession, Americans Doing More, Buying Less’  I learned about a young family jumping in a pink canoe to travel to small islands in the Biscayne Bay.  It was an inspiring little story.