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Architecture Building Sustainably

Day three: Masters of Architecture class

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By the end of the second class I realized I needed to buff up on my architectural academic knowledge. Books by Vitruvius, Corbusier, and Louis Kahn are going to be my starting blocks.

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We discussed Jeremy Rifkin’s Architects of the Mechanical World View in his book Entropy.

Jeremy Rifkin talks about Entropy, the gradual decline into disorder. There are two ways, historically, in which people make decisions he states. Before the ‘mechanical world view’ Rifkin argues that decisions were made based on the afterlife. Societies’ thoughts were altered when they began to be influenced by Bacon’s Novum Organum, Decartes mathematics, and Newton’s ‘tools of how to unravel nature.’ People began to think that gaining an understanding of nature to provide food, shelter and a more consistent living standard allowed them to make more selfish decisions. Humanity launched into a prosperous life that involved ‘controlling nature.’ These thoughts progressed to become more materialistic with Locke and Smith’s beliefs. The idea that man should acquire unlimited resources is deeply rooted in what society believes today -300 years of trying to make our natural resources profitable for personal gain.

Society now knows more about the earth’s limit of materials and what effect the extraction and refinement of these resources have on the health of our world. Did we humans understand nature’s natural order, and try to grow with that? On a global scale, I don’t think so. We grew with a  limited view and based our decisions on economic benefit.

Let’s examine how prosperous our world is and what technology we use to supplement expiring practices with energy and material use. Humans understand how to use wind and the sun for electricity.  We practice permaculture; that variety of food and a balance of flora and fauna is better than monocrops and overgrazing. According to the Multidimensional Poverty Index (MPI – June 2014) about 80% of the world has access to food, sanitary shelter, education, and other quantifiers of a plentiful life. Aristotle argued ‘prosperity becomes a barrier to happiness.’ Bill McKibben writes in Deep Economy that people don’t need to make more than 30K a year -that this income provides sufficiently all that is necessary. (Published 2007, comparing U.S. salaries tbc) The question of how to help the 20% of underprivileged people and how much is enough for wealthy individuals remain. How do the wealthy continue growth and should we provide for the 20%? Who’s role is it to look globally to evaluate when enough is enough for some when others still do not have a good quality of life.

The discussion was engaging, and lasted over an hour and  a half. We debated why we (humans) believe what we believe. What governs us? What do we know now that needs to change in order to survive? What is personally important, versus what is important for our world? It was interesting to hear from the generation ten years younger than me.

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The Wealth of Communities and the Durable Future by Bill McKibben

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Architecture Building Sustainably

What Architects Theorize

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The second class became more familiar to me. I was asked to sit in front of the class to lead the discussion on Philosophy for Laymen, a piece by Bertrand Russell, with the other graduate student in the class. What I wrote:

Russell defends the merit of philosophy. He says we must find out ‘how to best utilize our own command over the forces of nature.’ As an architect I read this to suggest I should think from many perspectives to find a solution to my work. This can be applied directly to design questions within projects, questions about how to practice and even in the way a project may be created.

Before I discover where philosophy leads an architect I must ask what are architects questioning? –Sheltering the world, organizing shelter, the materials we use? Each architect must understand that his or her own upbringing is not exclusive. ‘The knowledge that gives most help in solving such problems is a wide variety of human life’, and we are building for more than the common good of ourselves. We are seeking solutions for the good of the world. Russell speaks of dogmatism, or close-mindedness that is against growth. Philosophy becomes an ethical solution to problem solving. When I start to debate or defend an idea, or bring in another person’s opinion, the exercise often leads me to a new place. There are many instances in practice that I should encourage myself to ask more questions. Do I ask myself to question what a client really wants, or do I question the affects of introducing certain solutions thoroughly? Can I take the time to consider what I think cities (places) need? What’s the benefit? This is what Russell suggests with his solution, ‘the love of wisdom’ –we have to believe answers are out there that are better because we’ve considered the alternative. From those alternatives perhaps something has come out of it that was more encompassing, something that works on many levels as a balanced solution.

‘Philosophy has a theoretical and a practical aim.’ he states. At what point do we find that these solutions must be applied and evaluate the move from the theoretical to the practical? Theory can be a tool during the entire process of work. At some point architects must trust that our critical thinking has pushed solutions to be intuitive. We must flexibly produce the work from which we began to question it and be open to where it goes. Why else would Russell say ‘for the learning of suspended judgment the best discipline is philosophy’?

Reflecting on the topics the vocal class offered later that night lead me into deeper thoughts. I observed the professor and the role he played with the students. We began to debate the truth of details. Is it better to provide shutters on a home that will never be used to protect the windows as simple screw-down models, or use the type with hinges that have the ability to be used? This is called Truth in architecture. The idea has been with me ever since and has made me wonder if I could develop a list of common things that Architects theorize. I went to the Wiki source with this question in mind and found these voices: Derrida, Vidler, Rowe, and Frampton.

When architects want to discuss Pattern who do we look to? Plato and Pythagoras. German biologist and artist Ernst Haeckel painted hundreds of marine organisms to emphasize their symmetry. Scottish biologist D’Arcy Thompson pioneered the study of growth patterns in both plants and animals, showing that simple equations could explain spiral growth.   –Wiki

 Photo above from The Savoia

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Architecture

Going Back to School

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The Masters of Architecture program is budding at Fairmont State University. I started my first class there yesterday, after a ten-year hiatus from higher education. (I was asked in admissions ‘Are you faculty or a student?’) I drove into town with the view of downtown Fairmont (above.) As I sat down in class and began to listen to the names- Bertrand Russell, E.F. Schumacher, Aldo Leopold, Barry Commoner and Wes Jackson, I realized that I’d been missing so much since leaving college. th8WSLQMY5

The class is about Sustainability and in the end it will prepare us for the LEED exam. We began the class by discussing our connection to nature and how it relates to architecture. Students offered experiences of visiting Fallingwater, or reminisced about growing up with the forest. The focus of the Masters program is to create and promote Appalachia as sustainable place to live. The professor laid the foundation for the course by engaging the class to believe in what we were preserving. He held up books by Rachel Carson, Cradle to Cradle, and we discussed philosophy. I spent the night looking up the names we discussed,  sharing the new experience with my husband, and then went to sleep looking forward to another day.thDS79VEMM

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First image: A view of Fairmont from the new bridge by Preservation Alliance WV. Next image on Campus Explorer.

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Architecture

Traditional Architecture

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My architectural schooling didn’t focus on the means and methods of designing traditional homes. My coworker pointed this out to me when he brought my attention to this book. (Found on Amazon here.) Get Your House Right by Marianne Custo, Ben Pentreath and friends offers hand sketches with easy explanations throughout the publication to draw architects toward the do’s and don’ts of traditional house design. I’ve read a reoccurring theme in a few articles lately that highlight the disconnect between what the architect wants to design, and what the typical public desires in their shelter. Many clients haven’t been versed in Miesian or Neutra homes that architectural students use as case studies.

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Get house right Cusato

Window Spacing Cusato

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In Clog’s Miami, published in 2013 Anna Lizzette Tion states ‘…Urban context is charged by the actions of its inhabitants’ in her article titled All Road Lead to Hialeah

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 A third reminder came from The New York Times The Opinion Pages on December 15, 2014 by Steven Bingler adn Martin C. Pedersen titled How to Rebuild Architecture. I enjoy the conclusion of this piece beginning at:  “It wasn’t always like this. For millenniums, architects, artist and craftspeople …”

 — a surprisingly sophisticated set of collaborators, none of them conversant with architectural software — created buildings that resonated deeply across a wide spectrum of the population. They drew on myriad styles that had one thing in common: reliance on the physical laws and mathematical principles that undergird the fundamental elegance and practicality of the natural world.

These creative resources transcend style. They not only have wide aesthetic appeal, but they’re also profoundly human, tied to our own DNA. They’re the reason both Philip Johnson and the proverbial little old lady from Dubuque could stand beneath the Rose Window at Chartres and share a sense of awe.

To get back there, we must rethink how we respond to the needs of diverse constituencies by designing for them and their interests, not ours. We must hone our skills through authentic collaboration, not slick salesmanship, re-evaluate our obsession with mechanization and materiality, and explore more universal forms and natural design principles.

Not all architects are equally proficient at producing seminal work. But we do have access to the same set of tools and inspirations. And let’s be honest: Reconnecting architecture with its users — rediscovering the radical middle, where we meet, listen and truly collaborate with the public, speak a common language and still advance the art of architecture — is long overdue. It’s also one of the great design challenges of our time.

Steven Bingler, an architect, and Martin C. Pedersen, an architectural journalist, are the authors of the forthcoming book “Building on the Common Edge.”

Read the full article here

 

These are all reminders to the profession that we as architects need to continue to be conscious of the physical world, and the inhabitants we are sheltering. The youngest generation of architects may be called to explore a world through a time tested perspective to move forward.

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Architecture

House K by Sou Fujimato Architects

Concrete buildings can do anything. The heavy material draped as in Keiko + Manabu”s Ellipse Sky, as seen in Architectural Record,

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or have planes cantilever or folded like the House K in Nishinomiya, Japan.

‘ Not surprisingly, the roof was the most difficult part of the house to construct.’

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 – Architectural Record 2013

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A concrete structure by CASA BB by BAK Arquitectos in Argentina

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who ‘needed’ a carpenter with proficiency in wood-plank form work.

Architectural Record

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Architecture

How Architect’s Work

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Valparaíso

‘In the initial proposition of the Catholic University of Valparaiso to remove architecture from its doctrine, buried in mathematics and formalisms, and recenter it in the poetic word, is suggested an adoption of a critical rebalancing of the relationship between creative activity and the modern world. Creation requires a certain innocence, a suspension of disbelief, to occur.’ [1] ‘By engaging in poetic activity, the world of the Catholic University of Valparaiso allows itself through chance, mental and perceptual games, metaphoric operation, and so on, to discover its meaning and physical form, and to build and occupy this space: a space that has a gratuitous and mysterious quality and seems to refer to something on the other side of its physical reality.’ [2]

– Ann M. Pendleton-Jullian who wrote Road that Is Not a Road and the Open City, Ritoque, Chile.

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[1] Page 174

[2] Page 176

How does this model apply to the profession of architecture beyond the university?

 Based on a handful of firm experiences I’ve had, I find the average architect is over-worked by multi-tasking.  Architects are drawing, coordinating meetings onsite, collaborating with co-workers, and working on five to ten projects with the expectation that many will need attention at once. How can these tasks be productive if they are uncoordinated? I’ve found the balance in taking care of personal desire first. This allows the freedom to choose where creative efforts are spent. What happens is that the following time tasks are done with true enthusiasm. “Live in the moment.” “Be the change you want to see in others.” Keeping these thoughts immediate in my mind while reaching out on a creative level to be influenced by architectural publications or allowing myself the opportunity to enjoy co-workers creativity and inventiveness, I’ve been able to enjoy the day that quickly slips by.

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Architecture

Writing as an Architect

In the last year I’ve tried to find articles that both pique my interest in architecture and writing. I’ve found two great publications: Log and  Clog.

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In an article in CLOG : Unpublished, one contributor describes writing about ‘what will sell.’ Mentioned in this lament is the desire to write about Revit, but the question of whether or not this is a marketable subject remains unresolved. This is just one of the relevant subjects architects face today as we produce to societies expectations and maintain the level of creativity our profession allows.

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Additional online sources for Architects to have a voice:

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Medium

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How Writing Can Make Architects Relevant

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Cathleen McGuire’s advice on how to publish architecture from CLOG:

‘Compelling information about the source of inspiration and the program, succinct and well-written, really helps because we want to understand relatively quickly when we have a lot to consider.’

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Architecture

Interior Design in Fresh Home

We received the first blanket of snow. It’s time to turn inward and focus on the inside of the house. A few sites to inspire below:

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Golden Ratio Rule in Interior Design by Fresh Home

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Interior Design Tips from Fresh Home

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Advice from Erika Brechtel with her 5 Pieces Rule

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Architecture

A Tower in Zurich

The new 36-story Prime Tower in Zurich, Switzerland by Gigon/Gayer Architecten has a bistro with a puzzle piece ceiling.

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Along the exterior skin ‘every second or third window is operable -tenants can push them open parallel to the facade for a 6cm opening -creating an ever-changing pixelated surface.’

– Architectural Record June 2013

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photo found on Architectural Record

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Categories
Architecture Building Sustainably

Revit is Changing the way Architects Draw

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-Image from Seattle Daily Journal

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Hello, I am an architect, and I have been using Revit for two months.

I am committing something here.

I’m learning Revit.

What a smart program.

The tool takes between three to six months to implement for full advantage. The profession of architecture, engineering, and building is at the cusp of changing how we get from A to B; how we get from dreaming to a standing building.  Revit holds the capability for architects to follow in a futuristic call-out from Le Corbusier. We are again making machines for living.  This time though with the computer’s aid to see in three dimension; the building components put together in a virtual space.

My previous poem is both a venting mechanism as well as it is trying to be smart. Collapsing ribbons, palates, and bounding edges are the terms one must become familiar with to enable smart building. The program is only as smart as the user and in these instances you have to get them right. The architect must first know how to building a building! Then, we must learn the capability of the program.

Thankfully, I received my first instruction by an architect, Mike Pappas, working for MESA out of Crafton, Pa. When he is not heading up the architectural department for CDM Smith in Pittsburgh, Mike is working on BIMworks, a developing company that will train and assist Revit users.

Mike’s mantra led eight students for four days. ‘Let’s build it the way it will be built.’ ‘Make it the way you make it.’ In Revit, ‘Put it in, then get it right.’

His enthusiasm over architecture and everything we offer to this world in terms of intelligent building was contagious. While teaching with quick-wit and straightforward answers he was demonstrating the role of the architect as we all dreamed of the times in ancient Rome when architects were held as high as the profession of medicine.

This tool, when used correctly, has the ability to allow owners to see the spaces during the design process. The program can produce exact quantities for cost estimates, and orchestrate refined materials and systems that couldn’t be accomplished comfortably with two-dimension drafting. Energy studies are sophisticated, as one can place the building on any earth location. By providing solutions during the design phase, the architect is offering a more precise building that will look and act as desired once constructed. As consultants begin linking all of their models to one central model, unforeseen conflicts can be worked out before they are revealed in the field. This translates into savings, avoiding costly change-orders and smarter systems that are guaranteed to work together. Building consultants from Landscape Architects to Roofing contractors can all work together to build a model that is much less expensive than building full-scale models that may not work exactly as planned. When hiring an architect this service is priceless.

Starting a Model:

Building a model takes time. The way architects have prepared proposals for prospective clients have changed as well. While the most time has historically been spent during the construction document phase, to build a better model, more time is spent during the initial phase of a project.

The transition from architect to builder has been truncated in the past, passing from one hand to another as soon as a cost has been assigned. Mike Pappas was sharing his thoughts on collective ownership of the model (the documents for construction), and the building itself between all three parties –the owner, the architect, and the contractor. We all have to work as a team. Mike called us the army of architects. We are the virtual building coordinators who should be offering integrated project delivery.

Back to the Blocks:

The time to build a smart computer model can be time-consuming. The architect must decide what to ‘build’ and what not to ‘build.’ Knowing what contractors need to erect a building requires familiarity with issued drawing sets and specifications. Architects act like editors in this respect. With the future comes a new way of grabbing on to old traditions. The hope is that we are smart enough to take the time to use technology as an end to making our profession and our way of life better, entirely.

Project managers are now technology organizers too; making sure items are locked and kept precise. All of this may sound like Greek, but all we’re doing is learning a new language, learning a new language, and learning a new language. With more exposure, the unfamiliar will become common.

As something different and new is introduced, one has the tendency to reflect on the situation holistically. Architects are reaching forward to something our ancestors knew very well; how to build a building. They depended on architects to actualize cities concurrent with the dreams of moving forward, and they valued people who really knew what it meant to think smartly.