Building Locally, Carefully and with Relationships that Exist on site.
The Palmyra House by Studio Mumbai
(a new house)
As I read that one could only walk to this house through the forest, as it rests below the canopy of a coconut plantation, so as not to disrupt the palms, as the two-piece house alludes, I wished to visit this Indian mangrove. Prathima Manohar writes that the architect Bijoy Jain designed the house with signature louvers made from the tree’s cut, dried and locally harvested wood, setting a course of using sustainable, regional materials to guide the project. Like Louis Kahn’s Esherick House, it breathes, inhaling with the breezes, sleeping near the coconut crabs and waking with the Bulbul birds.
In Christopher Hawthorne’s opinion: Rather than aiming for a kind of spare, Modernist universalism… it takes its formal cues from its region, landscape, and context—and then, significantly, coats it with a sheen of sophistication that reflects the challenges of building locally in a globalized world. This sensibility is illustrated by Studio Mumbai’s stunning Palmyra House on the Indian Ocean…
Passive with Natural Illumination and Ventilation
The Nora House, full of levels, light and space defined by directional walls that contain each room but do not limit them. The ceiling and roof as one plane, cinched in the preparatory flight of a butterfly that shields the branch below just before climbing the air.
The house reminds me of a book shelf, each piece of wood positioned to hold a part of life in an organized notion, each piece of life symbolising from its platform where to stand to perform daily tasks to take care, rest, clean and eat. It makes me want to hide stairs between walls, and fill the hallways with books like Frank Lloyd Wright. The floor that supports me could insulate me with warmth through winter, could be a place I store my journals.
Nora House in Sendai, Japan designed by Yoshiharu Tsukamoto of Atelier Bow-Wow